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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Radclyffe Hall, 1918 Charles Buchel

Radclyffe Hall

Charles Buchel
Image
Police (Lieut Colonel Edmund Yeamans Walcott Henderson)
Police (Lieut Colonel Edmund Yeamans Walcott Henderson)
Police (Lieut Colonel Edmund Yeamans Walcott Henderson)

Police (Lieut Colonel Edmund Yeamans Walcott Henderson), 1875

Carlo Pellegrini, Vanity Fair Magazine
Portrait, chromolithograph on paper

Gift of Mr Ronald Walker 2001

Dame Jean Macnamara
Dame Jean Macnamara
Dame Jean Macnamara

Dame Jean Macnamara, c. 1930

Donovan
Portrait, gelatin silver photograph on paper

Gift of Merran Samuel (nee Connor) 2004. Donated through the Australian Government's Cultural Gifts Program.

Portrait of Dame Elisabeth Murdoch
Portrait of Dame Elisabeth Murdoch
Portrait of Dame Elisabeth Murdoch

Portrait of Dame Elisabeth Murdoch, 2000

Australian Tapestry Workshop, Merrill Dumbrell, Christopher Pyett, Normana Wight
Portrait, warp: cotton No.12 seinetwine; weft: wool and cotton

Commissioned with funds provided by Marilyn Darling AC 2000

The Brontë Sisters (Anne Brontë; Emily Brontë; Charlotte Brontë), c. 1834 Patrick Branwell Brontë

The Brontë Sisters (Anne Brontë; Emily Brontë; Charlotte Brontë)

Patrick Branwell Brontë
Image
Thilin-Thilin Gooragall Nyajaringil Garnkiny-nu (white gum tree, mother for the moon), 2018 by Shirley Purdie

Storytelling

General content

The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.

image not online

Sir Gustav Nossal, 1999

Peter Churcher
Portrait, oil on canvas

Collection: National Portrait Gallery
Commissioned with funds provided by Karen McLeod Adair and Anthony Adair 1999

Gordon Darling Hall, National Portrait Gallery

Architecture

About us

Natural light and human proportions – the design by Johnson Pilton Walker

Ellen Stirling

Very fine and very like

About Face article

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Thomas Sutcliffe Mort and his wife Theresa

Husbands and Wives

Photographic Portraits from 19th Century Australia
Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency